Wilder and Seitz also blew aluminum particles into the air so that, as they floated down, they looked just like dust. He went to the limits of what could be done. She is not a slave or a victim, oppressed by frightened and insecure men. I am sure you will agree that it is most important…to avoid what the code calls "the hardening of audiences," especially those who are young and impressionable, to the thought and fact of crime.
He is a criminal and the film does not deny that. Chandler was new to Hollywood, but saw it as a golden opportunity. In her dealings with Walter she is always cool and collected.
Wilder — and rightly so — looked at me and he said, "Well, are you a mouse or an actress? They worked together through Sunset Boulevard inthen split for good.
If you are going to collaborate, you need an opponent to bounce things off of. In the script, the pair get in their car and simply drive away. It is clear she has no true affection for her husband, especially when she begins to plot his murder in the hope of getting his insurance money.
This is notable because, other than a snippet from a home movie, there is no other footage of Chandler known anywhere. Although he had worked on the treatment, Charles Brackett decided it was too sordid and bowed out of the project, leaving Wilder to find another collaborator.
After all, she did just shoot him a few minutes ago, and what has really changed except the fact that he is now the one with the gun? Suicide, however, was strictly forbidden at the time by the Hays Production Code as a way to resolve a plot, so Wilder wrote and filmed a different ending in which Neff goes to the gas chamber while Keyes watches.
Works Cited Blum, Deborah Her weakness is her greatest virtue, her helplessness is what guarantees that she is a good person and deserves happiness. Pretty but modest and never shown in a sexually alluring way, she has little if any control over the men in her life, from her father to her rather abrupt boyfriend.
Not wanting your thoughts controlled by someone or something else is another. In an environment where suspicion is high, conspiracy theories grow and multiply. Even her final admission that she is in love with him can be interpreted as a last attempt to save her own life rather than a glimmer of humanity.
Any feelings she could have had other than righteous anger and noble suffering would immediately have made her evil. Nor is there always another answer to explain the sequence of events. She is the sweet innocent flower, the damsel in distress.
The need for truth can be powerful enough to bring someone to believe something that may not be real. On an even darker level, she is definitely more desirable than his ill, older wife, and therefore serves as a welcome replacement.
When Dietrichson is no longer around to enjoy her, she may as well cease to exist. The weak and terrified Lola forms a stark contrast to her.Double Indemnity: A Conspiracy with Motives Essay - In Billy Wilder’s blockbuster hit Double Indemnity, a fast-talking insurance salesman named Walter Neff (Fred MacMurray) visits the home of the seductive Phyllis Dietrichson (Barbara Stanwyck) to renew the insurance policy on her husband’s automobiles.
Conspiracy Theories Essay Sample. America has a fascination with conspiracy theories. The JFK assassination, the 9/11 attacks, and the Apollo moon landing hoax are just a few of the theories that Americans have attached themselves to. Whenever major life-changing, historic events have occurred throughout history, conspiracies were seldom far behind.
Whether it was the Princess Diana tragedy, the loss of one of America's most-loved presidents, or Americans actually landing on the moon, conspiracy theorists were there to confuse society by manipulating the truth and /5(7). There is no doubt in Double Indemnity, that Phyllis Dietrichson, the dissatisfied wife of a wealthy older man is being sexually objectified both by the imagery of the film and by her position in relation to the other characters.
She is a beautiful and alluring woman, barely older than Lola, her husband’s daughter from a previous marriage. Double Indemnity (dir. Billy Wilder ) is a film about an insurance sales man Walter Neff (Fred MacMurray) that falls for a highly sexual, scandalous woman, Phyllis Dietrichson (Barbara Stanwyck) who attempts to kill her husband.
“Double Indemnity” is a film that not only explores the mindset of Walter Neff, but also the mindset of the United States in the s. Both are punctuated by a dejected, pessimistic outlook, and both feel victim to factors beyond their control: Walter’s a victim of Phyllis, and the U.S.
was a victim of the Great Depression and the Second World War.Download